Helga’s post # 22 — As the story goes, if you were to eavesdrop at the London Book Fair, the comment you’d most often hear as novels are pitched is, “It’s beautifully written,” followed by: “of course.”
At least that’s how Donald Maass tells it.
In one of Joe’s previous posts, ‘Book buying’ his point, especially poignant for newbie writers, is this: ‘As new writers, I think we need to remember this. Words matter. Voice matters. Style matters. How a story starts… matters.’
Truer words were never written. Think about it:
If ‘beautifully written’ will someday be said about a novel that you have written, you’d likely think there is no greater compliment, no bigger reward, than your readers saying:
“She (Karalee, Paula, Silk) or He (Joe of course) has got a way with words.”
Conversely, as a buyer of books, if the words don’t captivate me right from the start, no matter how clever the plot, how stylish the cover picture, even the smart title, the book will probably be a flop. I will feel duped as a buyer and reader. The writing sucks.
So then, how do we make our words sing, make them float on the page, make them ‘swirl and swing as they tangle with human emotions’, as James Michener said.
Maybe to do what Anton Chekov had in mind when he said: ‘Don’t tell me the moon is shining; show me the glint of light on broken glass.’
As writers, we need our compass for pointing us in the direction of ‘beautifully written’ vs. the opposite, ‘the writing sucks’. We know instinctively what we need to do. Sometimes it helps to be reminded though. Legions of books are written on the topic, their authors not always in agreement. There are however some common traits.
‘Beautifully written’ is more than description, images, and metaphors, though that’s part of it. More so, a beautifully written novel invokes emotions, ‘moving readers’ hearts, ‘changing their ideas, and even rocking their worlds’.
To quote from Maass again: Beautiful writing is more than pretty prose. It conjures a world that is unique, highly detailed, and brought alive by the characters who dwell there. Beautiful writing also illuminates a story’s social world, its era, the passage of time and the story’s larger meaning. When a novel’s grasp is sure and its ambition is vast, then it is beautifully written.
At the other end of the compass, the ‘writing sucks’ point, there is one writing tool that should be thrown away: description. Most readers skim it. Even if using the five senses, it’s dead weight. Instead, describe a character’s experience, conveying how things look, smell, sound, taste, etc.
For example, it’s not enough to show that a character owns a luxury home and to describe its details. The reader needs to see him in that house when the family gathers for Thanksgiving dinner. We want to know his feelings. Is he conflicted? He loves his wife and he hates her. He feels trapped by her, thrilled by her, disgusted, but unable to leave. It’s his personal world. His feelings are the lightning bolts that ‘animate the monster’ and make it live.’ (Maass)
‘Write for the right reasons. The ability to write is a gift and should not be abused for cynical purposes. Resist the temptation to imitate what is currently commercially successful. Write what’s in your heart.’ (Thrity Umrigar, The Space Between Us)