Karalee’s Post #65
My outlining course through Writer’s Digest University finished this week and I am well on the way to having a story I’m excited to spend the next few months writing. I I still want to do more characterization, especially of my antagonist. I also want to up the stakes in a few places for both my antagonist and protagonist and add them into my outline.
The outlining course began with my basic story idea, then moved to a premise sentence that introduced my story situation, the protagonist and antagonist, and the major objective. This process automatically encouraged my brainstorming process, all those ‘what if’s’ that I love (and I think most writers do) that push my creative spirit in any and all directions, some of which are outlandish, crazy, weird, and that might just work if this and that happens….. During this creative time, this course encouraged me to also try to think about my theme as well as character motives and conflicts. Looking back, this was something I hadn’t concentrated on as much before, and it was very helpful in coming up with bigger moments with more at stake than I may have otherwise done. (Part 1)
Part 2 was exploring one’s characters and settings. All major characters need to be explored in depth. Whether you make a formal outline or not, writers need to know their characters as though they are “real” family, friends, or enemies. We need to know why they do what they do. This means, what has happened in their lives to make them think and act the way they do? This process is extensive and time consuming, but also a great time saver when it comes to writing scenes. For me,knowing my characters also adds to the pleasure of being “in my character’s head” while I am writing.
Settings must also seem real and knowing and feeling a country or a city takes more understanding than an office, kitchen or bedroom. Helga’s last post explores this topic well.
So what is left for Part 3?
This is where you take all the brainstorming ideas, the characters and settings and story lines, and organize them into possible scenes while still jotting down other ideas that may come to mind as you do this. I think of this like sorting “dots” into the picture that will come to light once they are all connected. This is the Extended Outline and depending on your writing style, it may be quite extensive to include ideas that both work or don’t seem to, or merely simple one-liners as a reminder for when you write the scene later.
At this point all your brainstorming ideas are recorded in whatever detail works for you. Most of us don’t want to trash any ideas as there could be gold to be mined later if we are stuck, but it may be quite onerous to wade through everything during your story writing. To help streamline the process, it is helpful to sort through everything at this point (especially since it is fresh) to make an Abbreviated Outline that is easy to follow as you write your scenes.
For me, this outlining process has been very helpful and definitely worth my time and effort. I am starting out eager to write my story with a much better feel for my story and theme, my characters and settings, and their conflicts and growth.
I don’t feel that my creative forces have been stifled at all since I’m keeping an open mind to the probability that some characters may try and take over and others may come on stage that haven’t shown themselves yet. I will let them do what they feel they need to, but since I have a good idea of where my story needs to go, if characters go too far in an unworkable directions, not too much time and effort will be given to them.