Karalee’s Post #132
I was musing the other day, thinking about all the emotions and sensations people go through during their lives. Most of us at some point have felt excitement, joy, peace, terror, pain, sadness, ecstasy, fear, happiness, contentment, anxiety, cold, hot, restless, panicked, relaxed, blissful, etc.
Then, in my writer’s way, I wondered what underlies all the bad feelings and what can change all the good ones into bad ones. I realized that the common denominator is FEAR.
The definition of fear is: an unpleasant emotion caused by the belief that someone or something is dangerous, likely to cause pain, or a threat.
The magic of this definition for writers is the word belief.
Think about that. We can make our characters believe anything we want. We create their lives from inception to death, building their belief system through their experiences, and those experiences can trigger reactions and behaviors throughout their lives.
Why is fear so magical? Fear is a great motivator for action to get away from the danger that is likely to cause pain or threaten the character. The fear can be up front and physical like getting run over by a truck, or a swarm of bees heading your way. Fear can also be perceived in one’s mind. Now that’s magical. It’s also endless in the scenarios that can be conjured by the hand of a writer. Inside one’s mind is where psychological manifestations blossom, where beliefs flourish whether they are true or false.
For example, if a character was bitten by a dog when he was a child, he may panic when he hears a dog bark even if the dog is locked inside and can’t harm him. Even more powerful, the character could panic at the mere thought of a dog being close by even if there is no dog at all. The truth here is that there is no danger at all, but the character can still be in a state of fear.
Fear is a great tension builder. It’s the monster under the bed, the darkness hiding all the bad things in the night, it’s one’s imagination running terrifyingly free in one’s mind. Its a veritable treasure chest for a writer to pull from.
Does happiness or excitement compel characters to flee, or murder, or do other criminal acts? Or is it the fear of losing someone you love that causes you to murder the lover? It certainly isn’t in the moment of happiness that characters do bad things.
I can’t think of another emotion that’s as strong and compelling as fear to make characters engage in extreme actions to get away from danger or the threat of danger whether it’s real or perceived.