SiWC Workshops – Sharing What I Learned pt 2

The second part will deal with the exciting world of lion taming, and the business of writing. Minus the lion taming. It’s something I wanted to know more about, so I took not one, but three workshops. First up…

Elena Aitken, USA Today best-selling writer and author of over 30!!!! books

Self Publishing – Elena Aitken.

(Elena Aitken is a USA Today Bestselling Author of more than thirty romance and women’s fiction novels. Living a stone’s throw from the Rocky Mountains with her teenager twins and their two cats, Elena escapes into the mountains whenever life allows. She can often be found with her toes in the lake and a glass of wine in her hand, dreaming up her next book and working on her own happily ever after.)

There is a TON to learn about self-pubbing. Like a Fat-Albert ton. Luckily, I had the incredible and super friendly Elena Aitkens who tried to tell us a bit about the process.

She has a ton of information on her site. Please check it out. Elenaaitken.com. But I’ll do a quick overview.

  • Covers are important. Digital decisions are made quickly. Great covers get attention.
  • Use an editor. You’ll not spot your mistakes. It’s worth the money. (God knows this is true for me).
  • Formatting MUST be professional.
  • Set up your publishing like a business. Separate accounts. Know ISBN, taxes, royalties.
  • Connect with readers. Website vital. A newsletter allows for direct connections. FB, Twitter, etc not as reliable. Programs like mailchimp.com can help with the newsletter.
  • Always reply to comments, feedback or shares. We all want to feel special, valued, so make sure your readers feel special and valued.
  • Picking the right keywords on your selling site (like Amazon) is vital. Look up your genre, see what’s selling the best, see what words they use.
  • Know your goals. Make a plan. Connect your brand to that plan. Stick to the plan.
  • There is a lot more on her website, so please check it out. She knows what she’s talking about!

Steena Holmes. NY Times and USA Today best-selling author

Branding: Steena Holmes : In the age of information overload, how do you stand out?

From the massively successful and brilliant, Steena Holmes, who did two workshops on branding, hereand here. I learned that my brand focus has to be on my readers… not on sales. Not on marketing.

Be aware that you are branding yourself now. Are you doing it right?

Me, I’m not. Not even close. Like a drunk swinging at a bouncer who’s already taken 3 steps back.

Her brand, though, is phenomenal. Her website is perfect. It’s definitely worth checking out

What I learned:

  • Create a brand that connects with readers.
  • You brand yourself on all social media, even if you aren’t aware of it.
  • But one thing she said that really struck me, though was, “You are not your reader.”
  • That means, for example, that you might not bug another writer cuz you know how hard it is to find time to write and don’t want to bother them. But a lot of readers LOVE the personal connection they can get with a writer.
  • Your followers, your fans, your fellow writers, want to connect to you. You might think they’d hate to read about your struggles or your cats or how you did your research, but you are not your reader. Find out what they want and provide that for them.
  • Your brand is your promise. If you’re not writing political stuff, don’t blog about political stuff. If you’re writing romance books, don’t blog about gory horror novels.
  • Use newsletters to connect directly with people.
  • Newsletters are story-telling. Not just info or news. Get past your own hangups. Don’t think like a writer, think like a reader.
  • Don’t just write about writing but about life. Write about life in a way that creates or connects to your brand.
  • Brand your newsletter. Like me – Joe Cummings. Writer. Blogger. Stepdad. Historian. Geek.
  • Make links easy to access.
  • Make the signup for your newsletter as simple as possible. On your website, blog, emails.
  • Keep a regular schedule with your newsletter.
  • Keep it simple.
  • If you’re published, promote new books coming as well as your current book. If not published, promote progress and the experience.
  • Never add people to a newsletter without their permission.
  • Read other newsletters and see what works. Be genre specific.

Honestly, both these women were amazing resources. I hope they come back next year.

Links below.

Elena Aitken’s self-publishing links. Absolutely great stuff.

Steena Holmes Branding With Intent. She has a 5 step program that’s easy-peasy to follow and her website really is a must-see.

Hi, I’m back.

siwc2017

At SIWC 2017 with two of my writing mentors, Hallie Ephron and Diana Gabaldon.

It’s been a long hiatus. My last post on the 5writers blog was in August 2016. Gasp, can that be true?

I’ve been away so long, the whole WordPress interface has changed and now feels like an alien planet. Even my very brief writing renaissance after attending last year’s Surrey International Writers Conference didn’t lure me back to blogging.

And since I’m in a confessional mood, the truth is I haven’t written anything in a year. Zip. Zilch. Nada.

But here I am, fresh from SIWC 2017, screwing up my courage to face the blank page once again, and wondering how to pick up the 5/5/5 narrative.

Fortunately for those of you who’ve wandered over here today out of curiosity, I learned a game-changing lesson at Surrey last week. It’s a truth so dead simple, a first grader knows it intuitively. Somehow, though, once people become “writers” and start novels and fall in love with their own words, they often have to learn it all over again.

Take out all the boring stuff. There you have it.

Abracadabra! This simple rule releases me from catching you up on my past 12 months. From a writing perspective, it would be the most boring of topics. I can summarize it very succinctly.

Lost momentum.

I believe it happens to every writer at some point. And therein lies the more interesting tale. Some abandon writing for years while continuing to wrestle with their unfulfilled creative urges. Some find other passions. Some lose their enthusiasm, or maybe their courage. Without the kind of crazy optimism it takes to climb Novel Mountain, many never return.

But for those of us who have temporarily lost heart, or drifted away, or simply procrastinated so long that even the thought of writing has become an embarrassing reminder of our failures … is there a way back?

Of course there is.

My own journey, like every writer’s, is unique. But if you should ever become a lapsed writer like me, I offer you these scribbled directions based on my wandering route home to Writerland. Maybe it will help you find your way back …

Start with this: Where the hell am I?

It’s always good to start with wherever you are. If you don’t know, find out.

I’m talking about “where” in very broad terms here. Where are your head and your heart? And equally important, where are you in your life? You’re the protagonist here. It’s your character arc to shape as you will. If it’s all working beautifully for you without taking on the burdens and pleasures of writing again, then just carry on. You can stop reading now. Go in peace and have a wonderful life.

But if your world seems somehow incomplete – a little emptier maybe – without writing, then just simply resolve right now to get back to it.

Next: Face forward.

No, no – DON’T LOOK BACK. Turn around, look ahead. Let the past go. That’s it! Don’t explain. Don’t justify. Don’t drag out that tired list of excuses. In fact, this is a good time to just stop thinking and go with the flow. If writing is calling you, answer.

Now for the hard part: Drop your burden of fear and self-doubt.

Do it deliberately. Just toss it to the side of the road. But what if I never get published? you ask. What if I fail (or fail again)? Well, define “fail”. If you love wordsmithing, if you get stimulation from creativity, if storytelling gives you pleasure, then writing is its own reward. And like everything else worth doing, the more you do it the better you get. It’s a journey. Do the diehard golfers you know beat themselves up because they might fail to qualify for the US Open? Yes, getting published traditionally is kind of a lottery, no matter what the gatekeepers say. But if getting published is a primary goal, you can do it yourself these days. There. Excuse gone.

Get some writing friends.

I wouldn’t be in the game at all if I didn’t have the support of my wonderful 5/5/5 writing colleagues. A writer’s journey doesn’t have to be a lonely one. Get in a writing group. Or start one. Join a book club. Get to know your librarian. Don’t just hide away and hope for the best.

Study craft.

You have to get your head back into it. But before you worry about publishing, or pitching, or blogging, or anything else … study craft. Get the books. Take the workshops. Check out the craft websites. Subscribe to the trade publications. It’s a lifelong learning curve, and a fascinating one. No one makes it just on “raw talent”. Craft can, and must, be learned. And remember this Taoist wisdom: When the student is ready, the teacher appears.

Read.

Take a deep dive into good writing, especially (but not exclusively) the kind you want to do yourself. The more I write, the more I read. It’s all part of the same process. But when you’re not writing – for whatever reason (don’t explain, I don’t want to know) – then pick up a book and read your heart out. It’s inspiring. And it teaches you while it entertains you.

Launch your comeback as a scheduled event.

When you’re ready to “come out” as a committed writer again, get some skin in the game. Go to a writers conference and sit in a room with HUNDREDS of other writers. There’s a whole writing community out there. Enjoy the contact high. Listen to the agents, the publishers, the editors, the other experts presenting … and learn. Take notes. Talk to everybody. Don’t be shy. Remember, if you write, you are a writer. Not a wannabe. Think of the whole shebang as a celebration of your return to the writing life. Wasn’t it nice of the conference organizers to hold it in your honour?

Make use of the momentum.

Anyone who’s ever gone to a good writers conference, ready to learn, comes away from it energized and inspired. Don’t waste the momentum. It doesn’t last forever. When you get home, write something. Immediately. Don’t wait more than a few days to get a new routine established and commit to your writing practice. I didn’t take advantage of my momentum after SIWC last year. It won’t happen that way this year.

This year I’m happy to say, “Hi, I’m back.”

 

 

SiWC Workshops – Sharing What I Learned pt 1

Surrey International Writers’ Conference
#SiWC17

I’ll have to break this into 2 parts. One on writing, one on the business of writing (branding and self-publishing.)

So let’s look at the writing.

Don Maass, the master teacher of all things writerish, taught a workshop on Pacing Beyond Plot.

He’s got an amazing book out on The Emotional Craft of Fiction and, of course, Writing the Breakout Novel and I would highly recommend buying them, taking them out of the library or borrowing them from a friend (and never returning it).

Don Maass, master teacher of the writerly arts. #SiWC17

Mr. Maass wanted us to move away from pacing as simply plotting, to pacing as an emotional journey of our characters and their character arcs.

That growth, that movement, that change is compelling. Like a good car chase, it moves the plot forward and engages the reader.

I don’t know why, but that really struck me.

As he went through a ton of exercises, I thought, damn, I did that in Yager’s War. And that. And I totally nailed that one, too. But there were scenes (if I am totally honest with myself), where I realized, you know what, I didn’t nail it.

For me, it was the slower scenes. Where the character gets from point A to B. Now I could skip those but I used them to add character conflict and some interaction with the locations (since I firmly believe in making the location a character as well). But what if I kicked that up a notch and thought a LOT harder on how my character develops in that scene? Wouldn’t that make it better?

I think so.

So whenever a scene has low tension, I’mma gonna look at it again and see if I can create MORE emotional movement.

Should be fun.

**********

Robert Dugoni

Robert Dugoni. – Another great teacher, workshopper, and highly entertaining writer. His workshop –  The First 3 Pages. (I didn’t get a chance to take his editing one, but if someone did, could they please send me their notes.)

From RD, I learned just why those first pages are important.

Let’s face it, agents and editors are SUPER busy people, so they are looking for a reason to put that manuscript down and catch up on an episode of Stranger Things. So it has to be tight, it has to be completely mistake-free and the best writing you can do.

Making it our best work increases the chance of someone reading it.

So he asked us, does the first sentence hook the reader? Do you establish what type of book it is quickly? (A romance, mystery, SF etc). Do you engage our senses, quickly? Do you have action in the 1st 3 pages? Movement? Dialogue? Do you have someone important come on stage? Have you taken us into your world? Have you engaged us? Hooked us?

It’s a lot to do, but basically the idea is to make it amazing.

But the biggest thing I got out of the workshop was something I have to learn in life.

Just because I can, doesn’t mean I should.

Just because I can climb up the side of a ruined castle to reach the top, doesn’t mean I should. Just because I can start a novel with dialogue like Nelson DeVille did, doesn’t mean I should. Be aware that, as new writers, we simply have to be the best.

So if you’ve heard over and over again that you should never start a story with dialogue and you counter, hey, Ah, Bobberino, like, Stephen King did that in Firestarter, then ask yourself, first, are you Stephen King? Then ask yourself, should you have dialogue in the opening if you know a whole butt-load of agents and editors might reject it right there? Then ask yourself, if you still want to do it, why did the great writer’s do it, cuz they sure as hell had a reason why.

There are no rules in writing except the ones that work.

But you have to make it work.

**********

Michael Slade – check out his books and tell me they don’t give you the shivers

From the great storyteller, Michael Slade, I heard three things I need to remember.

  • For authentic characters or scenes, look to your own life. Remember the smells, the sounds, the way time played out. Go deep. Especially when you need to create chilling fiction, use what scares you.
  • A hero is only as good as the villain. Make the villain epic and you’ll force your hero to be epic as well. But give that villain something human. Hitler’s dog. Lector’s culture. Joker’s humor.
  • The more we like your character, the more we’ll worry when they’re in danger.

There was so, so much more that these fine presenters taught, so if you attend the conference next year, please check them out.

If you like what I’m writing about, take a look at my About a Stepdad Blog. Sorry for the double posts if you’re following both, I’ll be fixing that with my new website.

Don Maass teaser video

Robert Dugoni teaser video on writing.

Robert Dugoni in Writer’s Digest.

Michael Slade website, which is scary and cool.

Surrey International Writers’ Conference 2017

Post #183

Writer’s Tears. I have filled bottles.

(First of all, my apologies if you read this already on About a Stepdad. There’s a good reason for the dual post or at least a good excuse. See below.)

Being an unpublished writer can be frustrating. It’s one of the few jobs where you won’t get a pat on the back. There are no annual reviews. No bonuses. No Christmas Parties.

It’s tough to stay motivated. Harder to stay positive.

But going to the Surrey International Writers’ Conference gave me the chance to re-energize, to refocus, to learn to be a better writer, and even attend a staff party.

Plus, I would get a chance to pitch my novel to an agent or editor. Face-to-face. No interns in the way, no 150 emails before yours. Just you and an agent.

However, my wife, aka the-Prettiest-Girl-in-the-World, will attest to the fact that I wasn’t super excited about going this year. I moped and grumped and shuffled around like a 10-year-old being forced to eat vegetables while doing homework.

But once I got there, the energy, the workshops, and the enthusiasm of the people there turned me around.

I listened to experts, I pitched my heart out, I even got a case of chatty-Joe and talked to other writers.

Of the three people I pitched Yager’s War to, all three were interested and wanted to see more of it. All were so nice and very understanding at my Joe-ish way of pitching things.

One even took the time to ask me about me and hey, we all know there’s nothing I love better than talking about me. When did you realize you wanted to be a writer? What was your first book? What are you reading now? Where do you see yourself in 10 years? Why did you move to Vancouver? Why are you crying?

Honestly, I learned so much, had a great time, and came away ready to charge the dragon again, my cape singed and tattered, my armor dented, but my sword sharp and my moral restored.

So what’s in the future?

First, I’ll pass along some super valuable information and links in my next blog. Man, I tell you, all the workshops I took were solid gold and I hope to pass along a small fraction of what I learned.

Second, I realized I’m unable to hold down two blogs, so I will merge my two lives into one and create something amazing. Like spaghetti and meatballs becoming the greatest meal of all time.

Third, I need a new website. I’ll post more on that next week, but it’s a daunting task so I’ve enlisted a very creative, very knowledgeable person to help me out. I’m super excited about this one.

Forth, I’m going to create a newsletter. It’s an odd and very difficult thing for me to do, but it should mean that I can connect to people directly. No more signing up for WordPress. No more having to log into the FB to find me, (cuz I know that’s why everyone logs in.) All my blogs will be sent directly to you with an electronic hug.

Lastly, I’ll definitely be asking for help. Help with the novel – like recipes, pictures, and thoughts. I’ll need help with making sure I put my best printed-foot forward – like everyone taking a hard look at my query or at what would make you buy a novel.  I’ll need help with step-daddying, and look forward to everyone’s helpful suggestions.

Surrey International Writers’ Conference
#SiWC17

See, this is what happens when you get inspired at SIWC#17.

You create a lot of work for yourself.